10 Koi 21

oil on canvas

30×30 inches

Back to the koi it is.

I’ve also been busy with other projects soon to unfold.

The most lovely new client contacted me about an earlier koi painting she

had fallen in love with. That one was sold long ago.

Her new painting will be a 30×30 inch version of a large horizontal.

I’m excited to work on this commission.

Often, while working alone in the studio,

it’s so easy to forget that there are people

out there watching me.

Even rooting for me to just ‘go for it.’

It gives me the zeal to get on with it.

‘It’ being this series of koi paintings that was launched

some 33 years ago….. .

It all started at Skowhegan.

At the renowned summer six week program for artists in Maine.

Students hailed from all over the world.

I asked Neil Welliver if I could go. He gave me a scholarship on the spot.

(That’s when I was a student of his in the MFA program at Penn.)

When I looked up the prizes in advance of my going, there was a Nathaniel

Saltonstall Award in drawing to be donated to the Colby College Museum of

Art. I said to myself, I can win that. (Robert Reed instilled such

confidence in my ability. Anyone else who had the privilege of taking

drawing classes from this remarkable teacher knows exactly what I mean.

He left Skidmore to join the faculty at Yale.)

And win it I did, for the handsome prize money of a whopping ten dollars 🙂

The image was totally imagined in my mind. Several paintings evolved

from it such as this large party scene below.

Newly digitized transparencies from some earlier oil paintings.

Both are 44×64 inches.

The one on the left was first in this series of six bird paintings.

I showed it to Wellington Management in their garage when I was making

a delivery. They purchased it right on the spot out of the back of my

GM Suburban – a fun surprise.

I often wish I still had that car/truck. It was a hauler’s dream for

paintings as large as 4 x 8 feet.

The one on the right was purchased by one of the partners at Wellington

for his private collection in Boston.

I loved drawing this model. My preference up to this point had been for

more “Rubenesque” or voluptuous body types, and usually nude women

because that’s all we were exposed to during my college years. Any male

models would have been required to wear jock straps. Well, it was the 60’s

and I was enrolled in a ‘proper’ women’s college after all. When we did

have an ‘erotic art’ exhibition, it was held in the basement. Only senior

year art majors were allowed to view it. Very funny in retrospect.

So then this particular model is either from my days at Skowhegan, or at

one of the live drawing sessions I used to attend during my early years

after moving to Boston.

My favorite kind of

phone call from Beth Urdang Gallery:

A young couple just purchased 6 of my abstractions series.

So exciting to view the grouping together.

As I paint them, never can I imagine how or where they’ll end up.

But when I learn about multiple purchases like this one, it is so gratifying

to have someone this captivated by what I’m doing, or trying to do.

And of all the hundreds of 8×8 abstractions, my first (#1) just sold.

Enfin!

New and old koi in progress.

I’m revisiting the one on the far left.

Painted in 2002!

wow. hard to believe I’ve been painting koi

that long.

The two on the right – 12×12 each – are new.

Complex images with hyper pigmentation.

I’m leaning more towards the simplicity and

narrower palette on the left one – 16×16 inches,

entitled “ Red, White and Blue.”

I love it when juxtaposed with my art pal Ana’s

lovely mostly red painting above.